{"id":174,"date":"2015-02-04T16:03:06","date_gmt":"2015-02-04T16:03:06","guid":{"rendered":"http:\/\/vangrimdecorpssecrets.com\/?page_id=174"},"modified":"2022-11-01T14:59:00","modified_gmt":"2022-11-01T14:59:00","slug":"artistes-associes","status":"publish","type":"page","link":"https:\/\/vangrimdecorpssecrets.com\/en\/la-compagnie\/artistes-associes\/","title":{"rendered":"Researchers & Creators Focused on the Body"},"content":{"rendered":"

Sophie Breton<\/a> |\u00a0Principal Dancer and Assistant to the Choreographer\"\"<\/strong><\/p>\n

After several years of competitive gymnastics, Sophie Breton discovered dance at Regina Assumpta College. She will then follow her training at LADMMI.<\/p>\n

Upon graduation in 2008, she worked with Alan Lake for his piece Chaudi\u00e8res<\/em>, d\u00e9placements et paysages. She then collaborated with Fr\u00e9d\u00e9ric Marier, Thierry Huard and Sasha Kleinplatz, and with Ginelle Chagnon in the staging of excerpts from the work of Jean-Pierre Perreault. She was a member of the O Vertigo company for three years.<\/p>\n

Today, Sophie works with Jacques-Poulain Denis, Virginie Brunelle (Complexe des genres<\/em>, \u00c0 la douleur que j’ai<\/em>) and Isabelle Van Grimde (Les gestes<\/em>, The Body in Question(s)<\/em>, Corps Secret \/ Corps Public<\/em>, Symphonie 5.1<\/em> and Eve 2050<\/em>).<\/p>\n

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Marie-H\u00e9l\u00e8ne Boudrias<\/a>\"\"<\/a> |\u00a0Neuroscientist<\/strong><\/p>\n

Marie-H\u00e9l\u00e8ne Boudrias (Ph.D.) is an Associate Professor at the School of Physical and Occupational Therapy of McGill University. Her research is oriented towards a better understanding of therapeutic interventions used in rehabilitation, including cortical stimulation, exercise or music, in order to promote brain neuroplasticity and maximize the maintenance\/restoration of motor functions. To do so, she uses magnetic resonance imaging (MRI), magnetoencephalography (MEG) and electroencephalography (EEG) techniques, among others. Using these tools, she proposes a multimodal approach as well as the use of advanced signal processing techniques, such as artificial intelligence (AI), to quantify the reorganization of brain networks and evaluate their role in motor performance, with a particular focus on the motor network. Ultimately, his research aims to develop individualized treatments based on neuroimaging data and to select subpopulations more likely to benefit from a particular intervention in order to reduce the impact of aging, stroke or COVID19 on motor functions.<\/p>\n

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\"\"<\/strong><\/p>\n

Isabelle Choini\u00e8re<\/a> | Digital Artist<\/strong><\/p>\n

Isabelle Choini\u00e8re explores, from the perspective of the sensate and somatic body, the physical and psychic limits of the body in relation to digital media, highlighting the ways in which new technologies affect this body in a state of constant evolution and reveal the contemporary status of the body in the technological context. Her work on the relationship of mediation and the performative body questions the conventions \u2013 and connections \u2013 of corporeality, corporeality, embodiment, cognition, and perception of spectators and performers. Her work incorporates reflections on ontology, the ontogenetic potential of the body, time and space, from which emerges an expanded and novel conception of the body.<\/p>\n

According to Andrea Davidson, theorist and former professor of Dance and New Media at the University of Chichester (UK), she is one of the few choreographers who has integrated technology into her practice from the beginning. Transdisciplinary artist<\/a>, she is an international specialist in research-creation and new hybrid contemporary scenes integrating technology. In addition to her performative works, her creativity is also expressed through her research projects, both practical and theoretical, as well as integrative teaching.<\/p>\n

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Rapha\u00ebl Cuir<\/strong><\/a> |<\/strong>\u00a0Art Historian \"\"<\/b><\/p>\n

Raphael Cuir has been Director of the \u00c9cole Sup\u00e9rieure d’Art et de Design de Reims since January 2018 and is currently President of the network of \u00c9coles Sup\u00e9rieures d’Art et de Design du Grand Est (France). From 2015 to 2017 he was project manager at ENSAD Paris for the Nespresso Eco-design Chair and the Bettencourt Schuller Innovation and Know-How Foundation Chair. He was also scientific project manager for the Chair of Research in Creation and Creativity (Paris Chamber of Commerce and Industry, Cit\u00e9 du Design of Saint-Etienne, Royal Academy of Fine Arts of Brussels) from 2008 to 2010.<\/p>\n

From 2012 to 2018 he was President of AICA France (International Association of Art Critics). Art critic and historian, PhD from the Ecole des Hautes Etudes en Sciences Sociales, he is specialized in the representation of the body and particularly in the relationship between art, science and anatomy. He is the author of Anatomiquement v\u00f4tre, art contemporain et connaissance de soi<\/em> (Scala, 2018) and Renaissance de l’Anatomie<\/em> (Hermann, 2016). He has also contributed to numerous collective works and edited several publications including the collection of answers to the question “Why is there art rather than nothing?” (Archibooks, 2014, 2009) and Art Performance: vie de l’archive et actualit\u00e9<\/em> (Les Presses du r\u00e9el, 2013). In 2005-2006 he was awarded a fellowship in residence at the Getty Research Institute in Los Angeles where he taught at Otis College of Art and Design. He is a regular contributor to the journal Art Press for which he coordinated a special issue on the Cyborg in 2012.<\/p>\n

In 1999 he created the first television channel dedicated to art history on the Internet “M\u00e9moires Actives<\/a>“.<\/p>\n

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\"\"Thom Gossage<\/a> |\u00a0Composer<\/strong><\/p>\n

Composer, drummer and percussionist, Thom Gossage leads the group Other Voices, which he founded in 2000 and with which he has already produced five albums. Simultaneously, his multiple collaborations with renowned musicians and his activities in the field of contemporary dance testify to his desire to always push the limits of his artistic practice.<\/p>\n

An early collaborator of Van Grimde Corps Secrets, he has participated in most of the company’s creations as a composer\/musical director, performer or artistic advisor. After his collaborations in Secrets vestiges<\/em>, Par la peau du c\u0153ur<\/em>, Au sommet de tes c\u00f4tes<\/em>, \u00c0 l’\u00e9chelle humaine<\/em> and Pour quatre corps et mille parts ins\u00e9parables<\/em>, he decided to go for open works in Les chemins de traverse I-V<\/em>, Vortex I-III<\/em>, Perspectives Montr\u00e9al<\/em> and Bodies to Bodies – Les chemins de traverse Metz I-III<\/em>. He also designed the sound architecture of the physical and virtual works The Body in Question(s)<\/em> and The Body in Question(s)2<\/em>, and continued the adventure with Symphonie 5.1<\/em> and Eve 2050<\/em>.<\/p>\n

Thom Gossage is also involved in creative music projects with Rainer Wiens (Mella Mella), Chaosmos (Phillipe Lauzier), Steve Raegele (Last Century), The Frank Lozano Quartet, Miles Perkin with Benoit Delbecq and Tom Arthurs, and has participated in numerous improvisations with professionals such as Drew Gress, Fran\u00e7ois Houle, Dave Binney, Kurt Rosenwinkle, Ben Monder, Wolter Weirbos, Steve Swell and Christine Jensen.<\/p>\n

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Brad Necyk<\/strong><\/a> |<\/strong>\u00a0Media Artist\"\"<\/b><\/p>\n

Brad Necyk is a visual artist and writer on Vancouver Island, Canada whose practice focuses on mental illness, empathy, consciousness, and flourishing. He recently completed a research-creation Ph.D. in Psychiatry at the University of Alberta and his doctoral research was awarded the Governor General\u2019s Gold Medal.<\/p>\n

Currently, he is a Research Associate in Film & Digital Media<\/a> at the University of California Santa Cruz and a Postdoctoral Fellow at York University with VISTA<\/a> (Vision: Science to Applications) and Cinema & Media Arts<\/a>, creating films on organ transplantation and medical assistance in dying.<\/p>\n

His artistic work engages with 3D-scanning and -rendering, experimental film, video installation, and music and dance collaborations.<\/p>\n

 <\/p>\n

Maril\u00e8ne Oliver<\/a>\"\"<\/a> | Sculptor and Media Artist<\/strong><\/p>\n

Maril\u00e8ne Oliver is an Assistant Professor of Printmaking and Media Art at the University of Alberta in Edmonton. Her work is at the crossroads of new digital technologies, traditional print, and sculpture. It focuses on producing objects that bridge the virtual and the real worlds. She uses medical scanning technologies such as MRI, CT, and PET in works that allow us to materially contemplate our digitized selves. Her current focus is on creating virtual reality artworks that make visible and manipulable our many bodies of data.<\/p>\n

She has exhibited internationally, at the Royal Academy in the UK, the MassMoCA in the US, and the Copernicus Museum in Poland. Her work is also held in a number of private and public collections around the world. She is the host of LASERAlberta, a series of Arts-Science public talks affiliated with Leonardo ISAST and currently leads the research projects Know Thyself as a Virtual Reality<\/a> and Dyscorpia: Future Intersections of the Body and Technology<\/a>.<\/p>\n

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Jacques Mateu<\/a> | Plastic Surgeon<\/strong><\/p>\n

\"\"<\/span>The \u201cAssises du corps transform\u00e9\u201c, created and organized every eighteen months by Jacques Mateu in Montpellier (France), aim exclusively to see members of communities as foreign to each other as doctors, lawyers, sociologists, philosophers, historians, theologians, writers, artists… exchange ideas on the subject of the body, and to open up these reflections to all those who are curious about this subject in a transdisciplinary approach. We want to get out of our respective niches, to cross our views, to nourish our reflection with the experience and knowledge of others, in the most absolute respect of all currents of thought… in order to consider all the \u201cpossibilities\u201d and so that each person, strengthened by this, can forge their own idea.
\nThis year, on November 25 and 26, 2022, we will consider \u201cThe body and its finery\u201d (Clothing, Jewelry, Perfume).<\/div>\n

 <\/p>\n

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Cristian Berco<\/a>\u00a0| Historian specialized in the body<\/p>\n

Marie Brassard<\/a>\u00a0| Actress, author and director<\/p>\n

Tim Brady<\/a> | Composer and musician<\/p>\n

Sean Caulfield<\/a>\u00a0| Engraver artist<\/p>\n

Isabelle Choini\u00e8re<\/a>\u00a0| Digital artist<\/p>\n

Raphael Cuir<\/a>\u00a0| Art historian<\/p>\n

DAVAI<\/a> |\u00a0Content creator and production company<\/p>\n

J\u00e9r\u00f4me Delapierre<\/a> | Virtual and interactive designer<\/p>\n

ELTORO STUDIO<\/a> | Video creator and production house<\/p>\n

Roland Huesca<\/a>\u00a0| Danse researcher<\/p>\n

Anick La Bissonni\u00e8re<\/a>\u00a0| Architect-scenographer<\/p>\n

Joanne Lalonde<\/a>\u00a0| Media arts historian<\/p>\n

Fran\u00e7ois Joseph Lapointe<\/a>\u00a0| Biologist and bioartist<\/p>\n

Isabelle Lemelin<\/a>\u00a0| Anthropologist<\/p>\n

Nadia Myre<\/a>\u00a0| Visual and media artist<\/p>\n

Monique R\u00e9gimbald-Zeiber<\/a>\u00a0| Visual artist<\/p>\n

Hela Zahar<\/a> | Researcher in digital cultures<\/p>","protected":false},"excerpt":{"rendered":"

Sophie Breton |\u00a0Principal Dancer and Assistant to the Choreographer After several years of competitive gymnastics, Sophie Breton discovered dance at Regina Assumpta College. She will then follow her training at LADMMI. Upon graduation in 2008, she worked with Alan Lake for his piece Chaudi\u00e8res, d\u00e9placements et paysages. She then collaborated with Fr\u00e9d\u00e9ric Marier, Thierry Huard…<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":92,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-174","page","type-page","status-publish","hentry","description-off"],"_links":{"self":[{"href":"https:\/\/vangrimdecorpssecrets.com\/en\/wp-json\/wp\/v2\/pages\/174","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vangrimdecorpssecrets.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vangrimdecorpssecrets.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vangrimdecorpssecrets.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/vangrimdecorpssecrets.com\/en\/wp-json\/wp\/v2\/comments?post=174"}],"version-history":[{"count":58,"href":"https:\/\/vangrimdecorpssecrets.com\/en\/wp-json\/wp\/v2\/pages\/174\/revisions"}],"predecessor-version":[{"id":3182,"href":"https:\/\/vangrimdecorpssecrets.com\/en\/wp-json\/wp\/v2\/pages\/174\/revisions\/3182"}],"up":[{"embeddable":true,"href":"https:\/\/vangrimdecorpssecrets.com\/en\/wp-json\/wp\/v2\/pages\/92"}],"wp:attachment":[{"href":"https:\/\/vangrimdecorpssecrets.com\/en\/wp-json\/wp\/v2\/media?parent=174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}